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THE
SPIRIT OF TREE ROOT ART
Tree
Root Art, which has been popular in China for centuries, is a joint work of
man and nature. When working with tree roots, artists should make as little
alternation as possible to preserve the root¡¯s natural beauty and form. Yet
artists¡¯ imagination and carving skills turn pieces of natural root into art
works that capture the unique Chinese histories and cultures. For that
reason, Tree Root Art is also recognized as ¡°the art with the most oriental
characteristics¡±.
In order
to appreciate root carving fully, one must be aesthetic with a particular
perception and understanding of art as well as a particular taste to what is
pleasing to the senses, especially sight The essence of root carving lies
between resemble and non-resemble. Only for those who are good at observing
and discovering can explore the charms, wonders, oddness, and uniqueness
from the shape of root carves; only for those who have wild imagination can
understand the intention of the creator, or may even exceed the creator's
imagination and discover a more profound connotation.
When
compared with other kinds of art, one will find root carving has its own
characteristics, and with that, ¡°naturism¡± is the most prominent. While most
of the other kinds of art are subjectively created by the artists, root art
must be carved according to the natural form of the trees in order to
preserve the root¡¯s original shape, texture and color. Root carving
emphasizes natural beauty, which further displays its uniqueness. One will
find "30% man's work and 70% God's work" in most pieces for root art. Unlike
the majority artworks which can be reproduced or imitated, each piece of
root art is one of its kind. These unique characteristics makes root art
collection extremely valuable.
HISTORY OF TREE ROOT ART
Early in
1982, Hebei Province Jingzhou museum discovered the first piece of root
sculpture "Exorcism" from the Warring States. According to the China¡¯s
National Cultural Relic Department, this root sculpture was carved
approximately between 340 B.C. and 270 B.C., which was about 2300 years ago.
Simple yet filled with classical elegancy, the sculpture was shaped as a
four-feet animal with tiger head, dragon body and rabbit tail. Later in the
Sui and Tang dynasties, root art prospered with enhanced carving skill.
According to "Li Mi¡¯s Biography", Li Mi, a high-rank officer, carved a
dragon claw with a natural tree root and gave it to the emperor as a gift.
The root sculpture "Jade Exquisite Unicorn¡± and "Phoenix" from the Qing
dynasty have been on display in the Shanghai Henan Exhibition until now.
Since the third Plenary Session of the 11th National People¡¯s Congress, the
Chinese economy has been booming. This leaded to tremendous growth in the
tree root art business.
The
documentary film ¡°Root Art¡± in 1983 raised many interests to the World of
Tree Root Art. In 1985, a Chinese Tree Root Art Exhibition was held in the
National Art Museum. Later in the same year, the China Root Art Academic
Association (CRAAA) was established. All these factors helped Chinese root
art step onto a standardization and academic development path. In September
1994, authorized by Bureau of Civil Administration, the CRAAA advanced from
a 2nd level to a 1st level national academic society.
Since then, CRAAA has developed more than 40 roots art associations in
different provinces. The popularity and quality of root art creation has
achieved a new level.
"Root cutting has made a lot of progress over the past 20
years in terms of people taking it up or its related theoretic researches.
Root carving has become the most popular craft form in China," Ma Siji,
director of the Chinese Society of Root Carving said.
With its
artistic power, natural wonder and ingenuity, tree root art will be
definitely loved by more people in the world.
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